Farewell, BBC Bush House
I only spent six months full time there, followed by the odd freelance shift, but BBC Bush House off the Strand in central London really did leave a lasting impression on me.
Next week the first services will start moving out of the iconic building, first built in 1923 and partially-occupied by the BBC World Service for over 70 years, and move to the newly-built Broadcasting House in the West End; the first non-English broadcast from the new studios will be the BBC Burmese bulletin. By the summer, Bush House will be empty but its legacy and history to the BBC’s worldwide audiences will never be lost.
I’ve overheard producers and presenters from various language services talking about their childhood memories: recalling their parents listening to the World Service in secrecy – tucked up under the bed covers or where whole communities gathered round a single radio – because being caught listening to the infamous words “This Is London” and the news that followed it was illegal. Even when my colleagues were kids, Bush House was a magical place where truth and impartiality was spoken to all corners of the world via technology which was difficult – if not impossible – for their governments to stop.
I’m not entirely convinced the image of Bush House in their mind matched the reality when they first walked through the doors of the building – as the first speaker in this video proves!
Sure, Bush House had its faults. Its endless hospital-like corridors meant many a struggle to find your destination; a glance out of any window facing the internal courtyard would show you how dirty the external walls had become, at least partly as a result of the huge, noisy electricity generators plonked on the car-park.
But the studios… ahh, the studios. The nicest ones I’ve had the pleasure to work in; old-fashioned switches, buttons that actually clunk, workhorse sound mixers that have been in operation for decades, and would almost certainly last decades more. They just don’t compare to what is essentially a big computer in the new studios: five buttons presses to do anything more advanced than adjusting the volume on a channel, its reliance on another computer in the technical room to operate in the first place, the constant threat of a crash and sudden loss of sound on output.
Broadcasting House is open-plan throughout: great for workflows and collaboration, bad for escaping what will be the largest newsroom in Europe when you just need to get away from it all. Bush House was perfect for this: lots of rooms with actual closeable doors; corridors with a personal touch, containing large poster-photos of inspiring images from whichever language service you happened to have wandered into; and – an often-used, but never misused, comparison – United Nations-type community of people from all over the world with no (visible) tension between them. They simply share a common goal – broadcasting to their various audience for the sole purpose of improving their knowledge of world affairs. Journalists from India and Pakistan, Iraq and Iran, Bosnia and Serbia, south America, east Europe, and anywhere else you can imagine in the world, wander the corridors and eat together as one.
I don’t know if that community feel will be kept once the move to W1 is complete. I certainly hope it will be, but when the sanctuary and isolation (from the rest of the corporation) of Bush House is no longer there, and the World Service is competing for budget, space, studios and facilities with the rest of the BBC, I fear it will be much more difficult to consider Broadcasting House ‘home’ in the same way Bush has been for 70 years.
Leave A Comment | March 2nd, 2012 | World Service Radio, World Service TV





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